Harold Albert Garcia Sandoval

Lighting design for the full opera production. A work that demanded precise control of atmospheric light to underscore the emotional arc of Puccini's drama.

Lighting design for Verdi's opera. Staging the transformation between opulence and decline through chromatic and spatial composition.

Binational Italy–Mexico co-production of Galuppi's opera buffa. A scenic collaboration that brought together two traditions across a shared border.

Lighting design for Die Fledermaus (J. Strauss II). A comedic opera requiring dynamic light shifts that track the social and comedic architecture of the work.

Lighting design for the large-scale musical production. Translating the emotional landscape of a coming-of-age story through structured scenic light.

Lighting design for the musical adaptation. Navigating the tension between whimsy and darkness that defines the theatrical world of Roald Dahl.

Lighting design for one of the most complex productions of the Andrew Lloyd Webber catalogue. A dramatic arc requiring precise emotional staging through light.

Scenic coordination for the annual opera concerts (2018–2024), presented across multiple venues throughout Mexico. Six years of sustained collaboration.

Work presented at one of the leading free public arts series in the United States, situated in the California Plaza of downtown Los Angeles.

Direction and production of an audiovisual series of interviews on the history and present of dance in Baja California, supported by PECDA.